In the Era Synthesis I am approaching the design and composition of sound and physical materials in a more personal, tactile, collaborative way.
This process-in-the-making isn't neat or well-defined, and draws on craft tradition and interpersonal relationships to hold timbrous connections between objects, ideas, and producers.

Revealed in the following standalone works and documentation of projects (completed and in-progress) are efforts in DYNAMIC AWARENESS, PATTERN RECOGNITION / SUBVERSION, and METAMORPHOSIS ranging from the subtle to grandiose and theatrical. Recognized formats (ie. performance) are twisted and broken; once a pattern appears, it's time to move on. What is convention other than a collective delusion, anyway?

Click and drag panels to move them; click and release to go deeper.

guardian embroidery
sound textile map
action reception text